The Tell-Tale Heart and the Labovian Theory :: Tell-Tale Heart Essays

The Tell Tale Heart and the Labovian Theory The Labovian theory of a developed narrative contains six mandatory components. These components help the lecturer, or attendant to a broader understanding of the thoughts and motivation of the internal narrator and the external storyteller. The wind gives a representation about the story. The orientation draws a picture to familiarize the reader/listener of the necessary ws who, what, when, where. The complicating action is the turn of events on which the story hinges. The resolution determines the outcome and usually leaves the reader/listener aware of a feeling of closure. The evaluation is the intimately essential component of the Labovian theory. It permeates throughout the narrative in hopeful attempts to keep the interest of the reader/listener peaked. The coda compliments the evaluation and brings the narrator and the reader/listener back together on common ground in order to bring the story to a close. Edgar Allan P oes short story of a unenthusiastic crime undone by the heart incorporates the Labovian components. The Tell-Tale Heart is a masterly written narrative, full of subtle nuances quick to deceive the senses. Poe sends the reader spinning into a world of symbolism, questioning the art of madness, and fearing the depravity of reason. The The Tell-Tale Heart is, at a glance, seemingly about a man plotting to kill another man in cold blood. Looking further into the words, the reader can find a story of a man preoccupy with senses and the ability to have complete arrest over them. The narrator uses reason to overwhelm the morality of his actions. His obsession takes over his whole being, thus bringing on the madness which over powers his world. The focus of the abstract is first seen as the narrator describes his idea as, haunting him day and night(226). Only an obsessed person could let something get to the point where they cannot think of anything else. Poe uses strategical wording to pinpoint the abstract. Poe blatantly announces the point, and the narrator confesses, Madmen know nothing. But you should have seen me. You should have seen how wisely I proceeded . . . (226). He was a coldly calculating man, obsessed that reason can conquer any sense, which in the end he finds is a never-ending battle.