Over the past twenty-five years, French singer- poemwriter Renaud has emerged as his countrys direct major power of chanson sociale, a rich and diverse usance of popular song which has helped to rally, educate and galvanise dispossessed groups in French bon ton since the first half of the nineteenth century. Renaud became well-known in the second base half of the 1970s by singing about zonards (delinquent youths) from the hold estates of suburban Paris. Since then, he has tackled a range of themes, from military benefit and heroin addiction to the goal of the environment and capita contention imperialism in the Third World. His repertoire includes sock songs, chansons idiotes (a comical, risqué genre), traditional chansons réalistes from the Belle Epoque and interwar years, and songs by his idol, Georges Brassens.1 He has produced a series of charmingly naive illustrations to play along his own songs. He has also performed as an actor, most notably in the design of Etie nne Lantier, in Claude Berrys 1993 screen adaptation of Zolas Germinal. He has written a childrens book entitled La midget vague qui avait le mal de mer (1989) as well as a regular newspaper column for the satirical, left-wing weekly, Charlie-Hebdo. An outspoken supporter of legion(predicate) minority causes, he of late joined the Régions et Peuples Solidaires list led by the Corsican autonomist Max Simeoni at the 1994 European elections.

Renaud is known primarily for the agitative anarchism and linguistic inventiveness which specify his songwriting. He has roused the ire of politicians on both the Left and th e Right. nearly of his songs have been bann! ed instantaneously; others have simply been assumption little or no airplay. However, he has achieved spectacular commercial message and critical success. By 1981, his album sales generated 45% of Polydors yearly profits.2 His lyrics are analyze in university French departments all everyplace the world and... If you indispensableness to get a full essay, narrate it on our website:
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