judahs Triumph Essay Example For Students

judahs Triumph Essay Judahs TriumphWilliam Wyler is the director of the 1959 award-winning version of Ben-Hur. The film is an adaptation of General Lew Wallaces novel. Karl Tunberg is credited with the actual screenplay. Sam Zimbalist was the original producer of Ben-Hur, but he died before the completion of filming. The two main characters are Judah Ben-Hur (Charlton Heston) and Messala (Stephen Boyd). Another important person involved in this film is Miklos Rozsa. He composed the award-winning musical score in a total of eight weeks. Ben-Hur was released in New York City on November 18, 1959, and in Los Angeles on November 24, 1959. It was re-released in the USA in 1969. This film has grossed $70 million in the United States alone. As for location, this film was shot in entirely in Italy. Ben-Hur is one of two films to win eleven Academy Awards, the other movie being Titanic. The awards include best leading and supporting actors, best cinematography, best director, best music, best sound, and more. This film has some interesting behind the scenes trivia, most of which is in connection to the stadium or the chariot racing. According to The Internet Movie Database the design of the stadium was a controversy. MGM asked an archaeologist what the stadium in Jerusalem had looked like. Roman, came the reply. A second archaeologist was asked. It was in a Phoenician style, he said. A third archaeologist was consulted, who said: Stadium? I was not aware that Jerusalem had one! MGM engineers eventually sat down and carefull y studied Ben-Hur (1926), and based their design on that. Another intriguing fact is during the chariot race Charlton Hestons stunt double was flipped out of the chariot. The stunt man hung on to the reigns and climbed back into the chariot. That blooper was left in the film to add more action. Marketing for this film was almost as big as the movie itself. Hundreds of toys were created, as well as Ben-his and Ben-hers bathroom towels. The Internet Movie Database also points out another big goof in editing. Nine chariots start the chariot race. After the first crash, there appear still to be nine chariots in the race. After the third crash, six are shown, but as Ben Hur passes to catch up, clearly there are a total of seven in the race. After five have crashed, five are left. Messala is the sixth chariot to crash, but Ben Hur and three others finish the race. Thus, nine chariots start the race, six crash, and four finish. This film takes place during 26 A.D., which is not in concordance with the events portrayed. Judah Ben-Hur and his family are fictitious characters. Some of the real life characters are Messala, Pontius Pilate, Tiberius Caesar, Jesus and Balthasar. Tiberius fit into the time period correctly. He was emperor from 14 to 37 A.D. Pontius Pilate was governor from 26-36 A.D., which puts him in the same time period as Tiberius. Balthasar and Messala were influential men; just not in the time period we are given in the movie. It is believed that Jesus crucifixion took place sometime between 12 B.C. and 14 A.D, which shows that Jesus does not fit into this time period either. The chariot races were true to the period, except that Jerusalem did not have a stadium. The scene I have chosen to analyze goes from Judah Ben-Hur winning the chariot race, defeating Messala, to Judah being crowned by Pontius Pilate (Frank Thring). This paper will cover the filmic elements of mise en scene and sound as they are represented in Ben-Hur. The dominant figures in this shot are the Roman soldiers, and the Roman spectators. The Romans are set apart from the native people by the color of their clothing. Roman soldiers stand out because they wear red capes, with bright white tunics underneath. The upper class Romans shown are costumed in bright colors while the Jews are wearing drab earth-tone colors. The Jews seem to blend in with their desert-like surroundings, and the Romans call attention to themselves with their flashy clothes. As for lighting, it seems to be natural sunlight. This scene takes place in hours the sun is out full; it was not necessary for extra lighting to be brought in. The use of natural lighting gives the shot a realistic feel. There are n ot any dark shadowy places, which means the sunlight created high key lighting. Shot and camera proxemics heighten the drama in this scene. We see Judah and the crowd in medium shots; no close ups are used. Medium shots show us what the crowd and Judah are feeling; it is not necessary to get in any closer. At the finish of the race we can see Judahs feelings perfectly, we know that he is content with the outcome of the race, other than Messala being in the condition he is in. We need to see Judah from the waist up to see his body language, his face shows a lot, but the extra effect is in his movements. We also see Pilate, the governor of Judea, and his associates in medium shots. They are upset that Messala lost, but are indifferent other than that. There is no need to see more or less of them in the shot. The crowd is in a long shot from the box where Pilate is sitting. He does not need to see their faces; hey are nothing but stupid little people he must watch over. Crane shots are used during the race so we can see how close the charioteers are to each other. This allows us to watch everything, and it makes the racers look like they are in a box, like they are stuck, with nowhere to go except around and around. Parts of Library EssayDepth changes depending on whose point of view we are looking through. The number of plains ranges from three to six. When we are looking at the crowd through Pilates perspective there are six plains: people in the box with Pilate, the railing of the box, the track, the building in the middle of the track, the other side of the arena, and what is out beyond the stadium. When Pilate is crowning Judah there are four plains: Pilate and Judah, furniture, people in the box, and the arena outside the box. Character placement tells the viewer a little more about each character. We see which character is inferior to the other(s), and their relationships with each other. Pilate takes up at least two-thirds of the shots that he is in. This tells us that he is in charge; he has authority over everyone else. When the crowd is seen from afar they are in the top left corner of the screen, which shows that they really are not important. Pilate is higher in this scene than ev eryone else; this again signifies his superiority. Judah towers over everyone, except when he is meeting with Pontius Pilate, to get Arrius message from Rome, and when Pilate crowns him the victor of the chariot race. Judah is superior to the common people he is surrounded by all the time. He can be picked out of the crowd because hes placed above everyone else. The staging positions of the actors also tell us more about the characters. Judah and Pilate are really the only characters we have any contact with in this clip. Judah is never more than a quarter turn from the camera. We are able to see his face straight on most of the time so that we can see what he is feeling, and we can relate to him better. When we cannot see his face we can still tell what he is feeling through his body language. But, more often than not we see everything that Judah is going through on his face. Pilate, on the other hand, is not really shown straight on. We only see him face to face while he is watchi ng the race. After the race we see people from his perspective, or he is only a quarter turn towards the camera. Not seeing Pilates face disconnects the audience from him. We are not supposed to feel anything for him that is why we do not see his face more. Pilate is not a character we are supposed to focus on. Relationships between characters are shown through character proxemics. The distance between the actors tells us the strength of their characters relationships. For example, the crowd and Judah are smashed together after he wins the race. This closeness shows that they are equals. Judah does not push people away from him; they are his family, his people. On the contrary, Judah and Pilate are merely acquaintances. This relationship is revealed because they are feet apart. The only reason the distance between them is crossed is because Pilates duty is to crown the victorious charioteer. Pilates relationship with the audience in the arena is even less than that of he and Judah. The distance between the governor and the common people is miles. He does not know the people, nor does he care to know them. He just has to watch over them, and govern them. Overall this scene has a good balance between historical accuracy and drama. The chariot racing and Pontius Pilate are accurate accounts of history, but the main character, Judah Ben-Hur is not. The stadium in this clip was also inaccurate. In 26 A.D. arenas such as this one did not exist, even if they had there probably would not have been one in Jerusalem. Judahs life was the drama added to the film, without him, obviously, there would be no movie.